Steps to make a good Indian Television Serial -- Component two.

 Welcome back to your television serial making guidelines. If you need a recap we had already seen the fixed forms of necessities like storyline, characters or sets. Now let us move on to moving ones.

The Story and Dialogue Writers: Having just one single writer is really a risky proposition. You ought to ideally have a table of writers, if one doesn't blow out of his/her mind the others deliver. The never ending storyline needs an equally endless supply of dialogues to continue the show episode by episode. In a certain scene you will need to create the most possible dialogues and with this the board of writers would come as a bonus. When they quarrel over it, that is only natural, maybe you get a fresh twist-wish idea to set up new angles-triangles or you will want to even a hyperbola in the story that'll again generate new streams of dialogues. You will need to keep a wristwatch on viewers too; boring them now and then is okay, but you have to never drive them mad. The channel producers, remember?

The Director: When you would be the director you must be the toughest nut to break. Okay it is your infant and naturally you prefer to be the first choice and friend-philosopher-guide. But in actual practice you have to be described as a ruthless dictator taking decisions unilaterally and respecting no one but the channel producers. If a particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may have to be brought alive; some people may have to be replaced; ushering in an occasion transition or injecting one and more absurd characters to the serial; and, so on. All these situations demand your decisions only. Bhagya Lakshmi Today Episode We advise you to help keep one or two episode directors too as could be the case in several soaps. We've good reasons. First, one director is directly identifiable and is really a sitting duck for irate viewers, if any. Second, the endless monotony might be a lot of for you and you could lose your sanity. Third, are you aware that channel producers the buck will always stop exclusively at your end only.

The Time Pass: This time around pass is from the viewpoint of serial makers, not viewers. Making an endless serial is generally not very easy. So you have to go on creating rooms for frequent time pass tactics. You do it with merry go rounds of dramatic reaction shots parading your entire characters in the hall that'll take you over a number of episodes; with dialogues that never cease; by giving extreme shock treatment to a number of characters who lose their capability to speak and communicate only through loud music that'll last around a number of episodes; by bringing in absurd characters and making their stories count; and, by the like.

Conclusion (?): Since each one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Evildoers in serials go on doing evil that'll include even murder as police force authorities are never called in, because entry of police may veer the serial to a logical end. You simply compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the main element to the success of never ending serials. At the receiving end we could only try get used to it.

So, make your serial in India and have never ending fun!